Engineering:Yaybahar

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Short description: Turkish instrument
Yaybahar
Yaybahar.jpg
The original yaybahar instrument made by Gorkem Sen.
acoustic string synthecizer
Inventor(s)Gorkem Sen
Developed2008-2015
Sound sample
File:Yaybahar sound sample.ogg

The Yaybahar is an acoustic musical instrument invented by the Turkish musician Gorkem Sen (Turkish: Görkem Şen), who describes it as a "real-time acoustic string synthesizer."[1]

Etymology

The name yaybahar (pronounced /jajba'har/) has Turkish origin. It is a composite of two words: yay means a "string" or a "coiled string" and bahar means the season "spring." According to Gorkem Sen, the name is derived from the idea of a new life or a new beginning. [1]

Structure and function

The Yaybahar was inspired by several different instruments, including the Turkish ney, African thunder drum and Australian didgeridoo. It represents both Western and Eastern influences in its design and sound.[2] In developing it, Sen invented a new system of bridges between the strings and the resonance body.[3] Composer Ian Honeyman described the Yaybahar as "a cello like instrument that uses springs and drums for resonance rather than a wood body".[4]

The instrument is played similarly to orchestral string instruments by hitting or sliding a wooden bow along the two long strings suspended in the center of two drum heads, by hitting the drums, or by sliding the bow at the top of the instrument, similarly to a standup bass.[5] In its online review, Classic FM described a variety of sounds that the Yaybahar can produce, such as by dragging a mallet across the springs, tapping the ends, and using a bow.[6] The sound produced by the Yaybahar has been compared to sci-fi movie sound effects by multiple publications.[1][2][6]

Manufacturing

Gorkem Sen playing Yaybahar.
Gorkem Sen playing yaybahar. Hydra island, Greece, 2019.

The Yaybahar isn't manufactured commercially.

  • Irish musician Billy Mag Fhloinn built and plays his own Yaybahar. The Irish Times describes Mag Fhloinn's Yaybahar as a "haunting instrument of his own making."[7]
  • Film music composer Ian Honeyman uses a self-made Yaybahar for some of his soundtracks.[4]

Notable uses

In 2018 Max Richter composed music featuring the Yaybahar for the film Hostiles by Scott Cooper.[8]

The album "Thar Toinn/Seaborne" (2020) by Irish singer Muireann Nic Amhlaoibh features a Yaybahar played by her husband, musician Billy Mag Fhloinn, on its final track, "Port na bPucaí".[9] Journal of Music described the sound of the Yaybahar in the song as "droning" and "swooping", comparing it to whale song.[10]

The composition "Into Darkness" by Ian Honeyman uses the sound of a Yaybahar.[citation needed]

Gary Numan's 2021 album, Intruder, features contributions from Görkhem Sen playing the Yaybahar.[11]

References

  1. 1.0 1.1 1.2 "It's not Space Odyssey, it's the Yaybahar" (in en). https://www.pri.org/stories/2015-08-19/its-not-space-odyssey-its-yaybahar. 
  2. 2.0 2.1 "Yaybahar: An Instrument with a Mesmerizing Sound" (in en-US). Interesting Engineering, Inc.. 15 May 2020. https://interestingengineering.com/video/yaybahar-an-instrument-with-a-mesmerizing-sound. 
  3. The Creators Project (2014-11-03). "Introducing the Yaybahar: an Acoustic Instrument that Makes Space Age Sounds" (in en). VICE Media Group. https://www.vice.com/en/article/yp5pbx/introducing-the-yaybahar-an-acoustic-instrument-that-makes-space-age-sounds. 
  4. 4.0 4.1 airedelblog (2019-02-21). "Catching Up With Air-Edel Composer Ian Honeyman" (in en). https://airedelcouk.wordpress.com/2019/02/21/catching-up-with-air-edel-composer-ian-honeyman/. 
  5. Ramsey, Lydia (16 January 2015). "Here Are The Bizarre Finalists Competing For Musical Instrument Of The Future" (in en). Recurrent. https://www.popsci.com/futuristic-musical-instrument-competition-names-finalists/. 
  6. 6.0 6.1 "This instrument is the yaybahar - and it sounds like the end of the world" (in en). Global. https://www.classicfm.com/music-news/latest-news/weird-instrument-yaybahar/. 
  7. Long, Siobhan. "The best trad gigs of the week" (in en). The Irish Times. https://www.irishtimes.com/culture/music/the-best-trad-gigs-of-the-week-1.4187990. 
  8. Kermode, Mark; critic, Observer film (2018-01-07). "Hostiles review – hail to the chief on a dark western odyssey" (in en-GB). The Guardian. ISSN 0261-3077. https://www.theguardian.com/film/2018/jan/07/hostiles-review-christian-bale. 
  9. "Lankum are audience hit in NYC". 2020-03-12. https://www.irishecho.com/2020/03/lankum-are-audience-hit-in-nyc/. 
  10. "Humours of the Sea" (in en). https://journalofmusic.com/criticism/humours-sea. 
  11. Shuttleworth, Alastair (2021-05-19). "The Quietus | Features | A Quietus Interview | A Brutal Harmony: Gary Numan & Ade Fenton Interviewed" (in en). Black Sky Thinking Ltd. https://thequietus.com/articles/29983-gary-numan-ade-fenton-interview. 

External links